The year is 1Q84. This is the real world, there is no doubt about that. But in this world, there are two moons in the sky.

In this world, the fates of two people, Tengo and Aomame, are closely intertwined. They are each, in their own way, doing something very dangerous. And in this world, there seems no way to save them both.

Something extraordinary is starting.

'1Q84 has a range and sophistication that surpasses anything else in his oeuvre.' Independent on Sunday

‘Murakami's magnum opus’ Japan Times

‘Vibrating with wit, intellect and ambition’ The Times

Murakami's magnum opus * Japan Times *
1Q84 has a range and sophistication that surpasses anything else in his oeuvre. It is his most achieved novel; an epic in which form and content are neatly aligned... So like Murakami himself, I'll borrow from Orwell: 1Q84 is quite simply doubleplusgood * Independent on Sunday *
1Q84 reads like a cross between Stieg Larsson and Roberto Bolano... In its bones, this novel is a thriller * Daily Telegraph *
Eerie, suspenseful and packed full of gorgeous ordinary details and provocative extraordinary events, Murakami takes weighty themes and delivers a compulsive tale that is funny, fresh and intensely surreal. Unmissable. * Marie Claire *
It is a work of maddening brilliance and gripping originality, deceptively casual in style, but vibrating with wit, intellect and ambition * The Times *
Which other author can remind you simultaneously of Fyodor Dostoyevsky and JK Rowling, not merely within the same chapter but on the same page? Viewed through the "post-modern" lens, his exemplary blend of a light touch and weighty themes, of high literature and popular entertainment, ticks every box. Posh and pop, sublimity and superficiality, history and fantasy, trash and transcendence: they switch positions and then fuse * Independent *
A postmodernist mélange of fantasy worlds, dystopias, alternate realities and genre pastiches, all overlaid on an unsuspecting contemporary Japan. They are the sort of fiction that usually attracts a cult following, but Mr Murakami's cult spreads across the globe * Wall Street Journal *
A surreal twist on the formula of David Nicholl's One Day; fate preventing two soulmates from getting together from getting together for decades... Stieg Larsson enthusiasts may enjoy the novel too as Aomame could be Lisbeth Salader's Japanese cousin... What makes Murakami cool as well as popular is has metaphysical mischievousness, his playing around with the idea of alternate realities... Every time you open 1Q84, you get the sensation of falling down the rabbit hole, into a unique and addictive world * Sunday Express *
The novel of the year... such are Murakami's gifts, both in terms of his imagination and his skills as a writer, that the near-magical world he conjures seems real and tangible * Word *
His default setting as a writer lies in documenting a muted alienation - Kafka with an iPod - and solace, in his books, tends to be found in the sudden human connection of sex and longing, but mostly his characters, like his readers, are left to figure things out on their own with shifting and partial information to go on * Observer *

In 1978, Haruki Murakami was twenty-nine and running a jazz bar in downtown Tokyo. One April day, the impulse to write a novel came to him suddenly while watching a baseball game. That first novel, Hear the Wind Sing, won a new writers' award and was published the following year. More followed, including A Wild Sheep Chase and Hard-Boiled Wonderland and the End of the World, but it was Norwegian Wood, published in 1987, that turned Murakami from a writer into a phenomenon. In works such as The Wind-Up Bird Chronicle, 1Q84, What I Talk About When I Talk About Running and Men Without Women, Murakami's distinctive blend of the mysterious and the everyday, of melancholy and humour, continues to enchant readers, ensuring his place as one of the world's most acclaimed and well-loved writers.